Due for release next month, this film will resonate most with British audiences with the Moors Murders of the early sixties part of their culture of the damned.
The blurb: "Claire was just a child when her best friend was abducted and murdered. Twenty-five years later, the killer has served his time and is due to be released. Claire is approached by Bill, the dead boy’s father, who has a plan to keep the killer behind bars. With the help of psychic Eleanor, he takes them deep into the haunted moor which he believes is his son’s final resting place. They find more than just the ghosts of dead children out there – something else, something dark and evil, stirs beneath their feet."
Hollywood News wrote: “Though long, The Moor needs that time to let the melancholy and horror seep in; like a good cup of Yorkshire tea The Moor needs time to stew. The end result is an emotional, haunting, and upon occasion, harrowing, tale of grief, guilt and ghosts.
The blurb: "Claire was just a child when her best friend was abducted and murdered. Twenty-five years later, the killer has served his time and is due to be released. Claire is approached by Bill, the dead boy’s father, who has a plan to keep the killer behind bars. With the help of psychic Eleanor, he takes them deep into the haunted moor which he believes is his son’s final resting place. They find more than just the ghosts of dead children out there – something else, something dark and evil, stirs beneath their feet."
Hollywood News wrote: “Though long, The Moor needs that time to let the melancholy and horror seep in; like a good cup of Yorkshire tea The Moor needs time to stew. The end result is an emotional, haunting, and upon occasion, harrowing, tale of grief, guilt and ghosts.
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